Eiléan Ní Chuilleanáin - Wikipedia, Ni chuilleanain poetry essay

Ni chuilleanain poetry essay

Towards the last quarter of the 20th century, modern Irish poetry tended to a wide range of diversity, from the poets of the Northern school to writers influenced by the modernist tradition and those facing the new questions posed by an increasingly urban and cosmopolitan society.

The current Ireland Chair of Poetry is Eiléan Ní Chuilleanáin, Professor Emeritus of English at Trinity College Dublin and author of seven collections of poetry.  Her first collection,  Acts and Monuments , won the Patrick Kavanagh Award, and her collection  The Sun Fish  won the Griffin International Poetry Prize. Her poetry has been praised for its imaginative sweep, its elegance and its technical command. 

Ní Chuilleanáin published with The Gallery Press in Ireland and Wake Forest University Press in the United States. [4] [5]

Eiléan Ní Chuilleanáin is a Fellow and Professor of English (Emerita) at Trinity College, Dublin and a member of Aosdána. She is married to Macdara Woods and they have a son, Niall.

“Ní Chuilleanáin is the Vermeer of contemporary poetry. Her luminous interiors achieve great visual beauty, but should not be mistaken for exercises in escapism. They are sites where history and the individual brush against each other, force fields of action and radiant understanding.”
– Aingeal Clare, The Guardian

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In many ways, Eiléan Ní Chuilleanáin could be reflecting upon her own poetry, particularly when she discusses the ‘pleasure’ Muldoon’s poetry gives: ‘It is language itself, its multiplicity and its straining after meaning that is illuminated by his work’. For what Eiléan Ní Chuilleanáin and Paul Muldoon share is precisely this fascination with ‘language itself, its multiplicity and its straining after meaning’, set at times (though not necessarily so) within the parameters of ‘normal life’.

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“The rags of language are streaming like weathervanes,
Like weeds in water they turn with the tide, as he turns
Back and forth the looking-glass pages, the words
Pouring and slippery like the silk thighs of the tomcat
Pouring through the slit in the fence, lightly,
Until he reaches the language that has no word for his,
No word for hers, and is brought up sudden
Like a boy in a story faced with a small locked door.
Who is that he can hear panting on the other side?
The steam of her breath is turning the locked lock green.”

In partnership with Wake Forest University Press and Culture Ireland as a part of Imagine Ireland 2011, the Poetry Foundation hosts a national tour of four Irish poets. The tour...

I saluted the famous river as I do every year
Turning south as if the plough steered,
Kicking, at the start of a new furrow, my back
To the shady purple gardens with benches under plum trees
By the river that hunts between piers and sandbanks—

I began threading the long bridge, I bowed my head
And lifted my hands from the wheel for an instant of trust,
I faced the long rows of vines curving up the hillside
Lightly like feathers, and longer than the swallow's flight,
My road already traced before me in a dance

Of three nights and three days,
Of ...

I think that reading the butcher's daughter as a reference to Mary Magdalene is a bit of a stretch. Certainly the woman in the story is an unusual character. One notes the white of her clothing, a...

The Current Ireland Professor of Poetry is Eiléan Ní Chuilleanáin . For details on upcoming Ireland Chair of Poetry events see here .

Ni chuilleanain poetry essay

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Eiléan Ní Chuilleanáin | Poetry Foundation

Eiléan Ní Chuilleanáin (poet) - Ireland - Poetry International

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ni chuilleanain poetry essay
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