Questlove Answers Questions About Hip-Hop Series -- Vulture, Questlove essay part 5
Questlove essay part 5
When I think that, I always find my thoughts returning to music. Not to music as an aesthetic category, but to music in the social sense. Music can be created by an individual or a group, but it is meant to be heard by others. It operated that way as ritual (in weddings and funerals, in wars and parades) long before it was ever preserved as a physical product, or sold as a commercial one. Music is something that happens between people. This is true for classical music or instrumental jazz, but it’s true with one added dimension for a music like hip-hop, because it’s narrative by nature. As a result, it’s music between people that is also explicitly about people.
In a way, he does have a point. Listening to Hip Hop in the 1980s and 1990s is completely different from the music that is popular now. Music during that time period had meaning and soul. It was about struggles and overcoming the racial hurdles that existed for men and women of color who were living during that time period. Music today however, is mostly about material gain, about reaching a level of wealth that could not be attained by a 9-5 job.
Questlove Essay Part 6. Ahmir Khalib Thompson (born on January 20, 1971) known professionally as ?uestlove or Questlove (also known as BROther ?uestion . Questo or ...
It leaves us here, in the sixth and final column, thinking about all these things. Sometimes when you think, you come up empty. But when I go back through this series in my mind, I come up so full that I’m not sure what to do next. Three decades plus into this exciting and vibrant genre, there are some serious structural problems that seem almost insoluble. There are times that I feel that the whole thing is perched on the edge of a cliff and time is about to push it off.
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In the five-paragraph essay, the "body" is all "affirmation"; the "narration" and "negation" (and its "refutation" or "concession") make the five-part essay less "thesis-driven" and more balanced and fair. Rhetorically, the transition from affirmation to negation (and refutation or concession) is typically indicated by contrastive terms such as "but", "however", and "on the other hand".
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It’s this neglect of race and the centering of her experiences as a white woman (and her friends) that’s so problematic, and one that more white feminists need to be aware of. As Jamilah Lemieux at Ebony puts it, “There is a time and place to discuss the very real concerns about feminine safety in the presence of strangers and that time, nor place, is hooked to the murder of a black teen who was killed because someone looked at him and made assumptions.”
Today, Ahmir “Questlove” Thompson and The Roots are well into their third decade. They’re the house band on NBC’s Late Night with Jimmy Fallon , with Questlove serving as musical director. Questlove is also a highly prolific music producer and composer, working with artists including D’Angelo, Common, Al Green, and Betty Wright. He’s also a highly in-demand DJ. Questlove is also now an author, out with a new memoir, Mo’ Meta Blues: The World According to Questlove .
I was confused and a little depressed. How good were these people’s lives that they could pass on Prince’s roller‑skating party? Only one man was brave enough—visionary enough—to see what lay before us, and that was Eddie Murphy. “This is historical,” he said. “For starters, I need to see if Prince can roller‑skate. I’m a comedian, and honestly, what’s funnier than that?”
This from forthcoming collection of essays by Fairbank Center authors, The China Questions: Critical Insights into a Rising Power (HUP) …
But what happens when the broader culture stops looking at black culture for cues, or clues? What happens when the very idea that black culture contains something different and distinctive dissipates? A song like Lorde’s “Royals” critiques one version of hip-hop’s values, Cristal and Maybachs and gold teeth, and while it’s reductive in some ways, it’s also instructive, because it shows how the signifiers of hip-hop culture ( which has swallowed black culture in general) have lost much of their cool. They’ve emptied themselves out and don’t know how to fill back up…
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Does Black Culture Need to Care About Hip-Hop? -- Vulture
Questlove On Cool: How Hip-Hop Failed Black America Pt. 3
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questlove essay part 5
questlove essay part 5